{"id":2464632,"date":"2018-02-27T00:00:00","date_gmt":"2018-02-27T00:00:00","guid":{"rendered":"https:\/\/www.outsideonline.com\/uncategorized\/filmmaker-knows-coolest-women-planet\/"},"modified":"2022-05-12T12:44:41","modified_gmt":"2022-05-12T18:44:41","slug":"filmmaker-knows-coolest-women-planet","status":"publish","type":"post","link":"https:\/\/www.outsideonline.com\/culture\/books-media\/filmmaker-knows-coolest-women-planet\/","title":{"rendered":"Filmmaker Sarah Menzies Knows the World’s Coolest Women"},"content":{"rendered":"
When she showed up in Kabul for the first time, five years ago, Sarah Menzies thought she\u2019d be making an upbeat short film about young women in Afghanistan learning to ride bikes. Easy. Fast. Maybe a ten-minute short at most. The women on the nascent Women\u2019s National Cycling Team of Afghanistan had just started going to international races. They\u2019d also been nominated for a Nobel Peace Prize in the beginning of decade, when the power of the dangerously gender-biased Taliban was limited. They were on the leading edge of independence in a country where it was widely considered immoral for women to ride bikes. But as Menzies got to know the young women on the team, the country slipped back into Taliban control, and cycling for women once again became fraught.<\/p>\n
\u201cIt was much more complicated than \u2018I\u2019m going to get on a bike and ride,\u2019\u201d Menzies says. \u201cThese women were young and idealistic. Their families told them, \u2018You\u2019re the generation that\u2019s going to change this country.\u2019\u201d And they believed that, but as the Taliban gained power, things have gotten more complicated. \u201cAs soon as the country starts to slide backward, it\u2019s women\u2019s rights that go first.\u201d<\/p>\n
The film grew in scope as the girls on the team faced threats, physical violence, and corruption from coaches. As things got worse, some of the members stopped riding and others fled the country. Menzies dug into the history of the Taliban, traced the marginalization of Afghan women, and continued filming as that changed the way the team was able to ride. She ended up with a feature-length documentary, which she\u2019s now submitting to film festivals. The forthcoming Afghan Cycles<\/a> <\/em>follows team members as they break cultural norms.<\/p>\n \u201cIt\u2019s developed into a story I never would have envisioned,\u201d Menzies says. \u201cSometimes I forget that we\u2019re making a movie about cycling.\u201d Now, instead of just being a narrative about learning to ride, it\u2019s about the choices Afghan women face when their freedoms are taken away.<\/p>\n Menzies says she remembers being fascinated by war-zone reporters as a kid. She studied broadcast journalism at Gonzaga University in Washington but went straight into environmental nonprofit work after graduation. While Menzies was documenting the effects of the 2010 Gulf oil spill, she decided she liked the documentary part of advocacy work best, so she decided to try making a living as a filmmaker.<\/p>\n \u201cI quit my job. I didn\u2019t have much money, but I bought a little DSLR\u2014which I still have\u2014and I sailed with some scientists from Namibia to Uruguay studying plastic pollution,\u201d Menzies says. \u201cAs a sailor, I was in heaven. As an environmentalist, I was in heaven. As a new filmmaker, I was in heaven.\u201d But when she got home and tried to put a film together, the footage was shaky and she didn\u2019t have a narrative. After beating herself up for weeks, Menzies abandoned the idea of the plastics film and resolved to learn everything she could about shooting and storytelling. Her next big project, in 2013, was Catch It<\/a><\/em>, a <\/strong>ten-minute film about French surfer L\u00e9a\u00a0Brassy, who moved to Norway to follow winter swells. It won best short at the San Diego Surf Film festival and spent years on the outdoor film festival circuit.<\/p>\n The success of Catch It<\/em> came with a wave of insecurities. Menzies worried that she\u2019d fallen into the role of token female filmmaker in an industry that tends to be male-dominated, especially in the outdoor world. \u201cI constantly had this voice in the back of my head saying, \u2018It\u2019s only doing well because I\u2019m a woman and festivals are getting shit for not having enough women and this is a film about a woman by a woman,\u2019\u201d she says. \u201cIt took me a really long time to quiet that voice and accept that people might actually like the film.\u201d<\/p>\n People liked Catch It<\/em> for the same reason Menzies was drawn to Brassy\u2019s story. It\u2019s a portrait of obsession without ego and working toward a goal that came without much acclaim. \u201cIt\u2019s not intentional that most of my films have centered on women. I try to think, \u2018If I came across this story not as a filmmaker, would I still be interested,\u2019\u201d Menzies says. \u201cYou look at whose stories aren\u2019t being told, and often it\u2019s women.\u201d<\/p>\n She has a knack for finding those untold stories. This fall, Menzies put out a film about Mirna Valerio, a self-identified fat black ultrarunner. The Mirnavator<\/a><\/em> focused on an email Valerio received 27 miles into a 50K race, which she read during a rest stop when Menzies happened to be filming. It was filled with vitriolic body shaming and threats. Menzies\u2019 film is about the harassment and the microaggressions Valerio encounters by just showing up to run and how narrow the scope of the outdoor world can be\u2014and how Valerio unflinchingly deals with that. Valerio says she and Menzies clicked as soon as they met, and they\u2019d like to work on more projects about race in the future.<\/p>\n