This holiday season, ϳԹ editors eased into downtime and burned through travel time by bingeingon podcasts, revisiting favorite childhood authors, and catching up on lots of television. We also liked the new , don’t @us.
What We Read
Like millions of others, I grew up obsessed with the wonderful and peculiar worlds created by children’s book author Roald Dahl, which were always just the right combination of grotesque, fantastic, and funny.I didn’t know that Dahl’s real life was just as colorful until I read , by Donald Sturrock, last month. With stellar research and access to Dahl’s family, Sturrock paints the famed writeras a genius (see: any of his children’s books), obstinate (he burned bridges like he had stock in ferries), and passionate (he loved his family dearly but was far from the best father and partner). At 672 pages, the book is a tome, but fans will find it worth getting through.
—Will Taylor, gear director
I read Philip Pullman’s trilogy for the first time when I was 12—yes, the same age as Lyra and Will—and it’s remained my all-time favorite collection of books. (To this day, I’ve only cried once while reading, and that was the first time I got to the end of .) I disliked the of just as much as everyone else seemed tobut felt cautiously optimistic about . Before watching the show, I obviously had to reread all the books, so I spent the holidayswith Lyra and the armored bears for the billionth time.
—Xian Chiang-Waren, associate editor
What We Listened To
During a particularly long drive through a blizzard to the Santa FeSki Basin, I binged on to curb my road rage. The podcast follows Julissa Trapp (who must be the most badass detective in California, not to mention the only woman in Anaheim’s homicide department) as she investigates a series of sex-worker murders. Trapp’s cases are just as compelling as her personal life, and the podcast gives audiences a window into both.
—Abigail Wise, digital managing director
I saw Little Women twice over the holidays, but you probably don’t need to hear more about how great it is. Instead, I’ll recommend with director Greta Gerwig—it covers her writing and creative process, insights into some of her decision-making while adapting the book into a screenplay, and a bunch of other interesting tidbits. It’s a treat for anyone who’s interested in storytelling.
—Molly Mirhashem, digital deputy editor
Last monthI drove home to Ohio from New Mexico. In total, I spent over 48 hours in the car and digested a lot of podcasts. I binged the whole series from the Los Angeles Times,which Bravo later turned into a . I also started , a new ten-part podcast from Texas Monthly about theoil boom in the Permian Basin, in west Texas and southeast New Mexico—because if you’renot paying attention to big oil, are you really paying attention?
—Emily Reed, video producer
What We Watched and Otherwise Experienced
Last year, Kelly Slater generated the biggest headlines in competitive surfing, as he has for nearly three decades. This timeit wasn’t another record-breaking title that caused the commotionbut rather the 11-time World Surf League champion’s preseason announcement that 2019 would be his final year competing. Would Slater really retire? That’s the question HBO set out to answer in “,”an hourlong special episode of the network’ssports-documentary series, which follows Slater in the lead-up to the Billabong Pipe Masters competition (the 2019 pro tour’s last stop). The documentary gives an intimate view of the legendary athlete’s home life, his approach to competition, and his ruminations about his final (maybe, possibly, we’ll see) event as a pro. By the end of the episode, no one—not the HBO producers who funded this expensive, well-deserved hagiography, nor Slater—seems to have any idea when the big guy will put away his shortboards. Either way, Slater still makes for fascinating television.
—Chris Keyes, editor
Over the holiday break, I caught up on some of the 200-plusstories and videos I had bookmarked in my account throughout 2019. One highlight was an opinion piece from The New York Times, “,”a gorgeously produced, five-minute video that breaks down the process of recycling. I was shocked by one line in particular: “According to the EPA, in 2017, as little as 8.4 percent of our discarded plastic went through that magic recycling process.”After watching, I’m newly inspired to work on consuming less plastic in the first place.
—Jenny Earnest, audience development director
In December, I went to see with my entire family. I know it’s supposed to be polarizing, and people are pissed about it, but honestly? Everyone in it is hot, there are cute aliens and lots of big explosions, and I don’t really understand how, in a world descending into chaos, this would be the hill you choose to die on. I loved it, and I choose not to take my space trilogies so seriously. (But for a truly groundbreaking intergalactic odyssey, I’m holding out for the new Dune movie.)
—Abbie Barronian, assistant editor
Over the holidays, I watched all of on Netflix with my mom. The show is about four girls (plus their guy friend) who attend a Catholic girls’ school in Northern Ireland in the ninetiesduring a period of historic national unrest called . My mom and I can have a hard time finding common ground when it comes to movies and television, but Derry Girls’ Cranberries-heavy soundtrackand its characters that seemed pulled from our own wonderful-but-wild Catholic familybrought us together. We cried from laughter and teared up during some heartfelt moments; my mom called it “funnier than ,” which for her is really saying something.
—Maren Larsen, Buyer’s Guide deputy editor
New Year’sis a popular time to think about diet and exercise. If you’re into that sort of thing, as a lot of us at ϳԹ are, the documentary is worth a view. It’s about vegan andvegetarian athletesand how they believe their dietary choices affect performance. While I can’t say I’ve gone all in on the meat-free thing (I really do love a juicy aged rib eye), the accomplishments (and the abs) of the pros in the film convinced me that cutting back on meat and dairy couldn’t hurt.
—Julia Walley, marketing art director